Warner Bros.
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☀️ AMAZON’s ‘Ali G’ MIA, WB’s ‘Clayface’ Scores
Casey sets SKYDANCE Streaming leaders / DISNEYFOX wants new ‘Alien’ pic / AMAZON MGM enlists Bibb
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Tom Cruise’s ‘Digger’ Is a Bomb for the Ages
The $180M auteur gamble earned just $20 million worldwide as Warner Bros.’ standalone era comes to a tough end
Latest Warner Bros. stories
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☀️ PSKY New Co-CEO’s Track Record
DISNEYFOX takes NETFLIX movie project / BLUM-ATOMIC sets co-financing deal / DIS Comms exec departs
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☀️ PSKY Wins: Now Comes the Pain — Where It Hits First
A look at the job cuts, prospects for talent, Wall Street pitch, streamer integration and much more
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🎧 Paramount-WBD Chaos: The Settlement, the Layoffs, the Superstreamer
The legal battle is over. The upheaval begins now
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Paramount-WBD’s Corporate Blood Sport About to Start: 5 Burning Qs
The layoffs, Bloys-Holland showdown, 50 cable networks, a streaming pileup — and showrunners already eyeing the exits
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Inside Paramount’s Deal Fine Print — Loopholes and Escape Hatches
30 films? Well, not so fast, says Matt Stoller
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LIVE 12:30 PT: Richard Rushfield & Matt Stoller on Paramount Settlement — WTF
What it means, and what happens now
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TV in 3: Paramount’s L.A. Exit Threat — Insiders Aren’t Buying It
Plus, broadcast’s fall premiere fizzle — and Felicia Pride on using beloved IP to get a new Black YA show made
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☀️ DIS+ Exec Shakeup, Creator Push Continues
WB Signs NETFLIX Filmmaker / ABC scores with CHIEFS / FOX enlists Falco
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8 Fall Trends I Can’t Ignore
Merger mania, a box office Trojan horse and the midterms — what I’m watching (and you should too)
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Sell, Stream or Die: Ellison’s Brutal Cable Choices as Bonta Closes in
Insiders on which Paramount/WBD brands have the most value and the players emerging to ‘milk them until the end’
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☀️ PSKY’s Linear TV Options With Bonta
FOCUS picks up comedy / NETFLIX explores more SVOD deals / RANGE partner departs
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☀️ PSKY Eyes Austin, PAR-WB L.A. Job Damage Numbers
HULU joins ’90s tabloid train / YT fights NETFLIX creator effort / NIELSEN’s new fall adjustments
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☀️ PSKY Elephant in the Room Amid ‘Settle This!’ Chorus
Holland’s big Spidey payday / NETFLIX sets new Zaillian project / David Heyman moves home base
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Who Was ‘The End of Oak Street’ For?
With an opening of $21 million, the well-reviewed Warner Bros. release didn’t break out. What happened?