The Future of Entertainment 25: New Stars, Studios & Storytellers
Dhar Mann, YouTube’s Mary Ellen Coe, Issa Rae and Fox’s Billy Parks are on the Ankler’s inaugural list
The Ankler’s awards experts are back with 2027 Oscar predictions!
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DC’s ‘Clayface’ Cost $30 Million. Is This How to Fix Superhero Hell?
After ‘Supergirl’ flopped, James Gunn and Peter Safran bet on a low-budget horror movie with stakes far beyond one film
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A Private Equity Reckoning After Hello Sunshine’s Fall — and Who Wins
As Reese Witherspoon’s company trades for a fraction of its original price, smart money chases a different class of star
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Memo to Peter Rice
Empower producers, kill binge: 9 unsolicited suggestions for Netflix’s new content chief
The Full Story. No Spin.
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Commentary on Hollywood’s power, players and business
How TV gets made, sold, and succeeds
TV & film, obsessively covered — from awards to opening weekend
By Katey Rich
Your daily briefing on the business of entertainment
By Sean McNulty
The power brokers shaping Hollywood
A producer’s clear-eyed look at AI in Hollywood
By Erik Barmack
What audiences are watching — and why
In-depth reporting on Hollywood’s business and culture
Where music and Hollywood meet
By Rob LeDonne
What mattered this week in Hollywood
Creators, platforms and the business between them
The IP worth optioning—before everyone else
By Andy Lewis
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Skydance’s Original(s) Sin: Firing Its Hitmakers
The rap on Mike & Pam? They spent too freely on movies that weren’t ‘Transformers.’ The slate tells a very different story
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Private Equity Is Coming for Authors, Dead or Alive
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