The Ankler is entering its next chapter. Janice Min & RIchard Rushfield tell you what’s changing, what isn’t — and why it matters.
Katey Rich & Christopher Rosen go deep inside the films, shows and A-listers everyone’s talking about this awards season.
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Scandal, Loyalty & ‘Summer House’: Frances Berwick’s Bravo Playbook
NBCU’s top unscripted exec doubles down on franchises, younger viewers and no slowdown in programming as everywhere else shrinks
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Cracking Apple TV: The Shows It Wants Now
My Spring Sellers’ Guide begins with the streamer’s narrow brief, high bar and the execs who decide what gets made
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🎧 ‘The Pitt’: Patrick Ball’s 15-Year Overnight Success
‘I’ve done a lot of things to survive,’ the actor tells me
Commentary on Hollywood’s power, players and business
How TV gets made, sold, and succeeds
TV & film, obsessively covered — from awards to opening weekend
By Katey Rich
Your daily briefing on the business of entertainment
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The power brokers shaping Hollywood
A producer’s clear-eyed look at AI in Hollywood
By Erik Barmack
What audiences are watching — and why
In-depth reporting on Hollywood’s business and culture
Where music and Hollywood meet
By Rob LeDonne
What mattered this week in Hollywood
Creators, platforms and the business between them
The IP worth optioning—before everyone else
By Andy Lewis
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9 Cannes Movies I Can’t Wait to See — Even as American Films Lag
Neon is all over the just-announced lineup. Plus: Why the Oscars had to stay in March
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