The Ankler is entering its next chapter. Janice Min & RIchard Rushfield tell you what’s changing, what isn’t — and why it matters.
Katey Rich & Christopher Rosen go deep inside the films, shows and A-listers everyone’s talking about this awards season.
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Alex Cooper’s Unwell Deals: What the Contracts Reveal — and Why Talent Thinks Twice
I unpack the terms turning off agents and podcast insiders as the star’s network struggles to land A-list names after Alix Earle
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Wasserman Deal: Final Bidders, Front-Runners Emerge
I have the list of suitors, private equity plays to UTA to Patrick Whitesell, and where they stand
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Cracking Apple TV: The Shows It Wants Now
My Spring Sellers’ Guide begins with the streamer’s narrow brief, high bar and the execs who decide what gets made
Commentary on Hollywood’s power, players and business
How TV gets made, sold, and succeeds
TV & film, obsessively covered — from awards to opening weekend
By Katey Rich
Your daily briefing on the business of entertainment
By Sean McNulty
The power brokers shaping Hollywood
A producer’s clear-eyed look at AI in Hollywood
By Erik Barmack
What audiences are watching — and why
In-depth reporting on Hollywood’s business and culture
Where music and Hollywood meet
By Rob LeDonne
What mattered this week in Hollywood
Creators, platforms and the business between them
The IP worth optioning—before everyone else
By Andy Lewis
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9 Cannes Movies I Can’t Wait to See — Even as American Films Lag
Neon is all over the just-announced lineup. Plus: Why the Oscars had to stay in March
Got a tip, story pitch or information to share? Email us confidentially at tips@theankler.com
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Learn From the Artisans Behind the Season’s Top TV — May 7
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The Santos & Whitaker Moment You Missed on ‘The Pitt’
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🎧 The Fight For Wasserman Intensifies
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