The Ankler’s awards experts are back with their Emmy predictions for 2026
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Follow our fest coverage and catch our can’t-miss conversations on the Croisette
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Amazon’s Elle Woods YA Bet — and the Tricks to Make a Prequel Work
I talk to co-showrunner Caroline Dries about creating the ‘Legally Blonde’ series as Prime Video’s thirst for the genre accelerates
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Box Office Is Back. Now Comes the War Over Who Gets the Upside
I talk to lawyers and reps about the five ways to get paid — and who is getting what
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What State AGs Could Dig Up on Paramount-WB
A division-by-division look at where a lawsuit could find consumer harm the DOJ didn’t — from HBO to movie screens to (bad) news
The Full Story. No Spin.
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Commentary on Hollywood’s power, players and business
How TV gets made, sold, and succeeds
TV & film, obsessively covered — from awards to opening weekend
By Katey Rich
Your daily briefing on the business of entertainment
By Sean McNulty
The power brokers shaping Hollywood
A producer’s clear-eyed look at AI in Hollywood
By Erik Barmack
What audiences are watching — and why
In-depth reporting on Hollywood’s business and culture
Where music and Hollywood meet
By Rob LeDonne
What mattered this week in Hollywood
Creators, platforms and the business between them
The IP worth optioning—before everyone else
By Andy Lewis
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Comedy Got Old. Now It Wants Its Own ‘Backrooms’ Moment
The genre killed by committee at the studios now faces online upstarts lining up to run horror’s same playbook
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Bari Weiss and the Trojan Horse Plan for Hollywood
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What State AGs Could Dig Up on Paramount-WB
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Baby Boomers Keep Outfoxing the Young Onscreen. Why?
Meryl Streep, Brad Pitt & Jean Smart eclipse younger generations. Amy Madigan in ‘Weapons’ is the warning
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The World Cup Is Exposing Sports Media’s Big Blind Spot
Telemundo is smashing records on the Spanish-language feed — proving why U.S. rights sold in two separate packages may not last