The Ankler’s awards experts are back with their Emmy predictions for 2026
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The ‘Devil’ Onscreen: The Old Guard Just Keeps Winning
Meryl Streep, Brad Pitt & Jean Smart outfox younger generations. Amy Madigan in ‘Weapons’ is the warning
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The World Cup Is Exposing Sports Media’s Big Blind Spot
Telemundo is smashing records on the Spanish-language feed — proving why U.S. rights sold in two separate packages may not last
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🎧 Would You Rather: Spend $22B on Roku or $18B on Shows?
Fox’s big buy will trounce most streaming rivals in size — not by spending like Netflix, but by buying the pipes
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Commentary on Hollywood’s power, players and business
How TV gets made, sold, and succeeds
TV & film, obsessively covered — from awards to opening weekend
By Katey Rich
Your daily briefing on the business of entertainment
By Sean McNulty
The power brokers shaping Hollywood
A producer’s clear-eyed look at AI in Hollywood
By Erik Barmack
What audiences are watching — and why
In-depth reporting on Hollywood’s business and culture
Where music and Hollywood meet
By Rob LeDonne
What mattered this week in Hollywood
Creators, platforms and the business between them
The IP worth optioning—before everyone else
By Andy Lewis
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Comedy Got Old. Now It Wants Its Own ‘Backrooms’ Moment
The genre killed by committee at the studios now faces online upstarts lining up to run horror’s same playbook
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