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The Santos & Whitaker Moment You Missed on ‘The Pitt’
Isa Briones and Gerran Howell reunite to tell me about deleted scenes and what’s next for their characters
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YouTube Series Are Hijacking Reality TV. Studios Want In
Can’t beat ’em, join ’em: Banijay bets on Squeezie’s ‘Stop the Train’ as creators reshape the global format business
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🎧 The Fight For Wasserman Intensifies
From private equity to Patrick Whitesell, it’s down to the wire
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☀️ NETFLIX, Claire Danes Re-Team, Exec Private 🛩️ Use Rankings
SIRIUS pod 💰 gains, sub loss / YOUTUBE’s ’26 💰 growth / Broadcast rules NBA ratings
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Scandal, Loyalty & ‘Summer House’: Frances Berwick’s Bravo Playbook
NBCU’s top unscripted exec doubles down on franchises, younger viewers and no slowdown in programming as everywhere else shrinks
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Dan Levy’s ‘Big Mistakes’ & Crime’s New Comedy Boom
The Schitt’s Creek creator and Taylor Ortega on their Netflix caper — part of a spree of shows on the wrong side of the law
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☀️ NETFLIX Gen X Blitz Continues With Charlize
NEON, Bong reunite / NASCAR gets dueling TV shows / CW sets new streaming homes
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The Case Against Paramount-WBD Keeps Getting Louder
As backlash builds, so do the stakes. Plus: an update on The Ankler
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Our Next Chapter
We’ve launched our own platform to bring newsletters, podcasts, video & events under one roof
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Wasserman Deal: Final Bidders, Frontrunners Emerge
I have the list of suitors, private equity plays to UTA to Patrick Whitesell, and where they stand
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🎧 ‘The Pitt’: Patrick Ball’s 15-Year Overnight Success
‘I’ve done a lot of things to survive,’ the actor tells me
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Cracking Apple TV: The Shows It Wants Now
My Spring Sellers’ Guide begins with the streamer’s narrow brief, high bar and the execs who decide what gets made
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☀️ SONY Tarantino Expansion, Diller’s IAC Layoffs, Rebrand
CBS’ large foreign ownership / Statham returns to Cannes / SPOTIFY ad biz flounders
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‘Michael’ Is Huge. Everything Else Isn’t
Five of the top 10 films barely crack $2M as warning signs mount
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How ‘Ponies’ Beat the System by Not Compromising
Susanna Fogel and David Iserson first refused an HBO note that would’ve changed everything. Plus: Is ‘Michael’ an Oscar contender?
