Video
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🎧 Noah Wyle Manages the Young Docs of ‘The Pitt’ Onscreen & Off
The Gen X star on handling the show’s millennials and Gen Zers — and why he won’t say, ‘you know what we used to do…’
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🎧 ‘Sleep in the Bed They Made’: Bonta Fires Back as Paramount Talks Collapse
California’s AG on Newsom and Bass’ pressure, the CNN myth, Paramount’s ‘PR campaign’ — and Mark Ruffalo
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New Poll: Gen Z Goes to the Movies Most
So why is Hollywood releasing so many movies with Gen X stars still?
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🎧 Sarah Pidgeon Never Thought About Hair So Much. Then Came ‘Love Story’
The Emmy-nominated actress tells me about her Carolyn Bessette transformation — and what the tabloids got wrong
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🎧 Hayden Panettiere’s Child-Star Tragedy; Bonta on Paramount ‘Playing Cute’
California’s AG tells Elaine what it will take to get him to the table to settle the Paramount fight
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🎧 ‘Reject Humiliation’: Lisa Kudrow on a Fading Star’s ‘Extinction Event’
The Emmy-nominated writer and star of ‘The Comeback’ tells me why this was the perfect sendoff for Valerie Cherish
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Kareem Rahma on His ‘SubwayTakes’ Emmy Breakthrough
‘It’s not trying to be fake,’ says the Emmy-nominated host of what makes his show stand out. ‘The show is perfect because of its imperfections’
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🎧 David Harbour Got Tired of Watching TV. Then Came ‘DTF St. Louis’
The ‘Stranger Things’ and Marvel star spent years trying to get the HBO limited series off the ground. He tells me why
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Who Was ‘The End of Oak Street’ For?
With an opening of $21 million, the well-reviewed Warner Bros. release didn’t break out. What happened?
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🎧 Everyone Wants to Meet ‘Widow’s Bay’ Breakout Kate O’Flynn
The British theater vet on becoming Patricia, cracking up with Jeff Hiller and the role that suddenly has Hollywood abuzz
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Welcome to ‘Widow’s Bay’: Shaping the Suspense
Emmy-nominated editors Jen Bryson, Isaac Hagy and Kyle Reiter discuss the genre-bending comedy series
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‘Beef’: Anatomy of a Feud — A Prestige Junkie Roundtable
Creator Lee Sung Jin and his Emmy-nominated production team tell Katey Rich about their acclaimed limited series
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🎧 Private Equity Has Billions Ready for Hollywood. Who Gets It?
Plus: Paramount talks tough on California — and softer on settlement
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‘Widow’s Bay’: Designing the Bay
Emmy-nominated production designer Steve Arnold goes inside the hit comedy
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Riz Ahmed’s ‘Bait’ Is a James Bond Audition Fever Dream
The Emmy nominee explains how his new meta comedy was a form of ‘therapy’
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🎧 Charles Melton’s ‘Beef’ Role Began With His Photo in the Writers Room
The Emmy nominee on what he’s learned from an enviable list of auteurs: ‘I’m kind of this sponge’
Original and curated video from Ankler Media, bringing you closer to the conversations, talent and moments shaping the entertainment industry.