The Ankler

ICYMI: Anon TV Exec Tea; Fleeing L.A.; Ready for AI Execs?; RIP H’Wood Romance

Plus: Enter Prestige Junkie’s Oscar pool

When we were talking to Katey Rich about joining The Ankler as our awards editor last spring, I vividly recall that she wanted to create an Oscars pool as another way to convene our community — and now she’s done it! Today’s a perfect day to enter our Prestige Junkie Oscar Pool and make your picks. (Don’t forget to visit Prestige Junkie Pundits to see how Katey and the many great co-hosts she’s had on the Prestige Junkie pod are seeing the races in every category.)

We have a pretty cool award for the winner (to be announced soon!), and unlike Academy voters, you can vote almost right up until the show starts on Mar. 2.

Now, with no further ado, ICYMI:



Series Business: Top TV Exec Talks; Leaving L.A.; Irish Tax Allure

A high-ranking TV exec (paid subscribers only) gives Lesley Goldberg’s frank talk about why broadcast’s bounce back benefits streamers too, and how global audiences are driving studios to remake the development cycle. Lesley also scoops that the Buffy the Vampire Slayer reboot will stay local and how it happened:

  • Many industry pros already were struggling before the wildfires; now, as they tell Elaine Low, they’re deciding whether to even stay in L.A. She reveals the other city where “anyone who’s worth a shit is working” and the communities giving some creatives hope for life and work in L.A.:

  • After the Super Bowl, Fox premiered season three of The Floor, the Rob Lowe-hosted game show that’s shot in . . . Ireland!? Manori Ravindran reports how one Irish producer created a model for unscripted that’s lured multiple U.S. productions to Burbank-on-the-Bogs; the typical budget for a network game show shot in Ireland; how tax incentives create even more savings; and different models for “hubbing” productions:


Rushfield: H’wood Needs Love; Translating Studio Newspeak

  • With Valentine’s Day this week, Richard Rushfield got the lowdown from Young Hollywood on why their relationship status has been set to single — and why it matters. Plus, Richard dissects the disturbing instances of studios embracing 1984-style speech to mislead customers about their ad-free subscriptions and employees about company DEI initiatives:


Reel AI: AI Engines Doing the Work of 5 Execs

  • Plenty has been made about AI coming for creative fields, but advances in models’ reasoning abilities mean execs are next. Erik Barmack explains (paid subscribers only) how these new AI programs may inspire Hollywood’s own DOGE-like efficiency drive and why your next coworker may be an AI copilot:



Todd on the Town

  • Roving photo Todd Williamson takes you inside the star and star exec-studded Producers Guild Awards, premieres and much more:


Prestige Junkie: Monica Barbaro, Wicked Crafts

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