-
Who Slayed the ‘Buffy’ Reboot — and Why
I reveal the doomed pilot’s budget, its ‘failure to launch’ and the internal Hulu drama that sank it
-
Wall St. Sours on the Ellison Deal: ‘This Should Not Be a Public Company’
Analysts warn that debt, shaky financing and a Middle East war could derail history’s largest test of legacy media
-
☀️ Layoffs Hit WME; A24 Sets Van Damme Remake
Ritchson Tops Matt & Ben at NETFLIX / SONY sets MACRO film deal / LGF adds to spec 🔥
-
The Live Show Silicon Valley Can’t Quit — and Hollywood Wants to Copy
How ‘TBPN’ turns a 50K audience into real money. Plus: a first look at Assistants vs. Agents’ new show
-
Wasserman’s ‘Insane’ Price Tag — and the Curious Strategy Behind It
I can reveal the eye-popping ask, the backup plan, and the new aggro era of deals and LBOs
-
-
☀️ New Absurd WBD Exec Payday Details
Walden sets DIS exec teams / Ron Meyer’s Jeff Shell chats / Whitesell’s WTSL adds partner / New jobs Tuesday!
-
The Oscars Got It Right
‘One Battle’ and ‘Sinners’ deserved to dominate the night, and my big takeaways
-
Elephant at the Oscars: Great Movies, Terrible Moment
The good, the bad and my 32 photos from inside
-
Paramount vs. California: The War for Hollywood Begins
AG Rob Bonta fires the first major shot at the merger as Hollywood’s Teamsters leader sounds the alarm
-
☀️Hollywood Oscar Ad Buys MIA; ‘One Battle’ Takes 🏆
Which DISNEY properties got Oscars ad time / UNI, A24 see box office wins / PAR buys out Tyler Perry
-
Oscars’ Ellison Billboard; Dems Bury Katzenberg; Affleck AI Mystery
Plus: Final Oscar predictions and how Bill Lawrence beat his slump
-
Oscars’ Ellison Billboard; Dems Bury Katzenberg; Affleck AI Mystery
Plus: Final Oscar predictions and how Bill Lawrence beat his slump
-
TV in 3: Seth MacFarlane-Peacock Open Marriage; a WB Insider’s Vicious Substack
Plus: ‘Baywatch’ bets on influencers
-
☀️UNI’s New Movie Tactics Bring Hope
Oscars betting 💰 / WB, Bradley Cooper talk ‘Ocean’s 11’ / CBS, HBO see solid March results
-
A Semi-Farewell: My Favorite Ankler Data Dives
What I got right, where I veered wrong and what the numbers reveal about Hollywood’s future as I move to occasional contributor














