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🎧 How the Oscars Actually Happen
Academy heads Lynette Howell Taylor & Bill Kramer (almost) tell me their secrets. Plus: My final predictions!
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Warners’ 9-Film No. 1 Streak Left at ‘The Bride!’ Altar
Mike De Luca and Pam Abdy’s big swing strategy means an inevitable miss
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The Oscars’ Arrogance Is the Point
A brutally honest conversation with my colleagues about the awards industry and its future
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Ryan Coogler & Franklin Leonard on How ‘Sinners’ Became the Director’s Most Personal Film Yet
The ‘incredibly grateful’ Oscar-nominated writer, director & producer tells the Black List founder that all the characters have ‘a piece of me in there’
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Superagent Robert Newman’s Big Oscar Ideas: A Live Best Picture Elimination
The WME legend has a few smart ways to make the ‘boring’ ceremony feel fresh
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Glen Powell & A24 Fail to Make a ‘Killing’
The hottest star and beloved distributor combined for a whiff
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Penny Lane and the Tyranny of Cool
In a heroes-and-villains culture, she fights for nuance — even if it’s a ‘dirty word’
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Only Two Sequels in the Top 10 — And That’s the Story
‘Wuthering Heights,’ ‘GOAT’ and ‘Crime 101’ powered a rare genre revival
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Canada’s Instant Cult Hit Comes for America
I talked to Matt Johnson and Jay McCarrol about TIFF darling ‘Nirvanna the Band the Show the Movie’
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Universal’s Michael Moses: My Modern Movie Playbook
The legendary chief marketing officer on selling urgency in the streaming age — and what we get wrong about Gen Z
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Curious Case of Kevin James; Charli XCX’s ‘Moment’ Missed
Plus: All those awful, awful Super Bowl ads
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Indie Film is Broken. Ted Hope Has a New Idea: ‘NonDē’
‘What has happened to our country, is happening to our culture’
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The ‘Melania’ Mirage: A $7M ‘Hit’ That Isn’t
The uncomfortable math behind Brett Ratner’s doc, minus the spin
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Amazon MGM’s First Swing of ’26: Hit, Miss or TBD?
Plus: ‘Hamnet’ plays this year’s ‘Anora’ at the box office
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Was the ‘28 Years Later’ Sequel Netflix’d?
Matt & Ben’s ‘The Rip’ reopens the debate over streaming as box office gravity
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