Elaine Low
Latest from Elaine Low
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Your Predictions, Fears, Hopes for Hollywood 2026: ‘Find Your Way to Stick It Out’
Writers, directors and execs (Amazon, CBS, Warner Bros.) share hard-earned advice and candid takes on what the industry needs and must shed to move forward
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SCOOP: UTA Drops Intimacy Coordinator, Choreographer, Dancer Clients
As Hollywood reduces sex onscreen (Gen Z’s not interested, thanks), one worker tells me ‘less intimacy is being written’
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Hollywood’s Breaking Faster Than Film Schools Can Teach It. Inside the Scramble to Keep Up
Professors are rewriting syllabi on the fly as studios melt, algorithms rule and screens go vertical: ‘Entertainment changes at the speed of light. Universities do not’
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‘NOT GOOD’: Agents’ Alarm as Netflix-WBD Stokes Panic, Fears of a Market Pause
Reps on what they’re telling clients, mounting questions and a possible bright side: ‘Where there’s chaos, there’s opportunity’
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Agents Brace for a Market Pause as Warners Waits for a Sale
Reps on what they’re telling clients, mounting questions and a possible bright side: ‘Where there’s chaos, there’s opportunity’
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🎬 Netflix-WBD Panic & Chaos in a Hollywood ‘Looking for Some Answers’
The dominant streamer’s $83B acquisition of Warner Bros. studio and streaming assets — including crown jewel HBO — would heap new burdens on entertainment workers
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Netflix Raids YouTube for Kids (Again); A-List Squeeze on Animation Voice Roles
I break down science star Mark Rober’s crash into paid streaming and take a tough look at the VO booth. Plus: a new survey where I want you to sound off
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As A-Listers Rush Into TV Ads, the Middle-Class Actor Economy Collapses
A big chill hits the shill as stars from Jason Momoa to Chris Pratt move in on commercials
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Adult Animation Boom: Inside TV’s Hot Sellers’ Market, Studio by Studio
Netflix, HBO Max, Fox & Hulu, Amazon: The industry is bullish on toons, even with the AI elephant in room. Here’s who’s spending — and what they want
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The Art of Hooking Audiences: Execs From a Disney-Backed Microdrama App Tell All
DramaBox’s creative team came from traditional Hollywood. Now aiming for $3B in revenue, they tell me they’ve had to unlearn almost everything










