The Ankler

On Vacation: When Hollywood was Hollywood

Amid a celebrity shutdown, a look at how stars — and the studio machine that controlled their images — once spent summer

Long before the perfect “candids” of Instagram, decades reigned where stars’ images were managed as tightly as Shirley Temple’s curls, as studios (and their related PR machines) gave birth to the notion of Hollywood fame. The late 1920s-1960s produced some of the most iconic stars in the world — whose names would become known around the globe — aided by images meticulously created on red carpets, in magazine shoots and, yes, on staged vacation photos. Actresses were curated as girls-next-door or sexy bombshells; positive snaps of couples together conveyed happy, glamorous marriages. Yet as the traditional studio system disintegrated and disaggregated, so too did control of its talent. By the 1960s, says film critic and historian Leonard Maltin, talent began taking agency over their careers and their image, and more “relaxed” images were released while on vacation, whether from the growing number of paparazzi or photog friends who tagged along. Regardless, says Mary Mallory, an author and photo historian, it was all about selling stardom: “The posed vacation candids were all about the art of looking beautiful.”


Peter Sellers and Britt Ekland, 1965


Dean Martin and Frank Sinatra, 1961


Dorothy Dandridge, 1957


Joan Crawford and Douglas Fairbanks Jr., 1929

The studios right through the 1960s controlled every aspect of their contract players’ lives. They would fix them up with dates or chaperones for premieres. They chose their wardrobe for personal appearances. They coached them on manners, deportment, skills and attributes that they might not have achieved on their own or been exposed to before. – Leonard Maltin

Debbie Reynolds and her children Carrie and Todd, 1961


Sammy Davis, Jr., circa 1969


Bette Davis and Joan Blondell, 1932

Film studios thought up every type of subject they could think of that might be illustrated in magazines or newspapers and created images that could be run in them. – Mary Mallory

Cary Grant, 1935


Rock Hudson and director Robert Mulligan, 1960


Mick and Bianca Jagger, 1971


Nat King Cole, wife Maria Ellington and children, 1960


Kirk Douglas, wife Anne and their children, 1967


Natalie Wood, 1968

The studios created personas for these actors and they were expected to live up to that, to those often unrealistic images. – Leonard Maltin

David Niven and Merle Oberon, 1935


Marilyn Monroe and Joe DiMaggio, 1954


Brigitte Bardot, 1964


Marlon Brando and Billy Redfield, 1953


Jane Fonda and Roger Vadim, 1966


Paul Newman, 1963


Jane Russell, circa 1940


Elizabeth Taylor and Eddie Fisher, 1960


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