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How to Bring $50M-$100M Box Office Movies Back
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Entertainment Strategy Guy

How to Bring $50M-$100M Box Office Movies Back

Theatrical's backbone has been hit by 'eventpoles', stars' streaming migration & very bad marketing

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Entertainment Strategy Guy
Apr 10, 2025
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How to Bring $50M-$100M Box Office Movies Back
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(Photo illustration by The Ankler; Dragos Negoita/Getty Images, Adrienne Bresnahan/Getty Images, allanswart/Getty Images)

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ESG’s data-driven analysis for paid subscribers runs every other Thursday. He recently wrote why rival streamers shouldn’t mimic Netflix’s genre-defining hits; the audience chart every exec should obsess over; and content libraries’ unsung role in streaming success.

Let’s be honest: The box office is still struggling.

Yeah, yeah, I know: A Minecraft Movie just smashed records with its boffo $157 million opening weekend. It’s definitely more fun to write about the box office when we’re on a high rather than a losing streak. But as strong as Minecraft opened, I worry it actually portends more problems for theaters than it solves.

The domestic box office’s dismal Q1 led to plenty of bleak headlines casting a pall on CinemaCon. Doug Creutz, senior media analyst at TD Cowen, even warned of a “negative feedback loop” that could crush the theatrical distribution biz, writing, “we don’t think the existing global theatrical footprint can be supported solely by a handful of blockbusters.” But as he notes, reducing the number of theaters will lead to more films skipping a theatrical release, thereby initiating that doom loop.

Then Ted Sarandos, co-CEO of the biggest streamer in America, straight up called time of death on the theatrical biz:

As I’ve written before, it’s weird that an industry generating $8 billion to $9 billion in annual revenue is “dead,” but that sort of hyperbole is just our current media ecosystem at work.

The weak box office numbers, though, portend a very real problem: There are several billion dollars fewer today compared to the domestic box office (let alone the global market) at its 2017-2019 height. In trying to determine where all that revenue went last May, I concluded “supply, supply, supply,” meaning, simply not enough movies receive a theatrical release these days.

Although this remains true — there have been several weekends this year with no major new releases — reality is complicated and no one reason explains everything. In addition, I believe there are several other factors contributing to the box office not returning to its pre-pandemic heights.

In this article I will tell you . . .

  • The one big change theaters could make to encourage more moviegoing

  • Why megahits like Minecraft aren’t as helpful for the theatrical business as they may seem

  • What stars like Tyler Perry, Kevin Hart and Millie Bobby Brown should be doing to help

  • Why theatrical marketing is broken — and what could fix it

  • The risk of compensating for declining popularity with higher prices

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