🎧 The Making of Bella Baxter and a Mad Scientist
How do you tell a deliciously demented story with Emma Stone and Mark Ruffalo? First, look the part
Our apologies if you are receiving this twice. Our platform is having audio embedding issues. We have included options to hear the audio below on both Apple and Spotify.
(Please click here to listen on Apple if the audio isn’t appearing)
(Please click here to listen on Spotify if the audio isn’t appearing)
Welcome to the second episode of Art & Crafts, The Ankler’s podcast series dedicated to bringing audiences behind the scenes to examine the careers and contributions of the talented artisans who create and craft the movies and TV series that we love. Our first podcast was about Oppenheimer.
On a December weekend, costume designer Holly Waddington (earlier credits include War Horse) missed a slew of holiday parties after getting called to meet Yorgos Lanthimos about Poor Things. She spent days in a mad dash, preparing imagery based on the script and eponymous novel. What she ended up pitching involved “strange Japanese dolls with these clothes [in which] the proportion of the cloth is far too big for the scale of the doll.” The surreality of the aesthetic that eventually made it onscreen is discussed by Waddington, and the movie’s hair, makeup, and prosthetic designer, Nadia Stacey (both took home BAFTAs on Feb. 18), who join host Mona May. The trio dive into the visual influences of the film, working with Emma Stone and the challenges of creating Dr. Baxter’s offbeat look.
Transcript here.
