š§ Michael B. Jordan Tuned Out His Inner Director to Play Twins in āSinnersā
The actor tells me: āI had to be selfish in the best way possibleā

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There are some things, Michael B. Jordan tells me, that you can never un-see. As a professional actor since he was a teenager, he has presumably seen aĀ lot ā including the fictional world of Wakanda in two Black Panther movies and several blows to the face in the threeĀ CreedĀ films. But what heās talking about here is the other side of the camera. Jordan made his directorial debut withĀ Creed III,Ā and he recently wrapped his remake ofĀ The Thomas Crown Affair,Ā in which he also stars. As a result, heās learned a lot about directing over the years ā and to make Sinners, he had to forget it all.
Or, at least, he had to try.
āYou pretend that youāre turning that part of your brain off,ā Jordan, 38, tells me on todayās episode of the Prestige Junkie podcast, discussing his fifth film with director Ryan Coogler. āIām a pretty empathetic person, I like to think. So, understanding what Ryan has to go through as a director daily, certain parts of my brain will always be, āAll right, how can I problem solve and make this a bit smoother? How do we accomplish what weāre trying to accomplish right now?āā
Jordan and Cooglerās years of collaboration, which began on 2013ās Fruitvale Station and continued through Creed, two Black Panther films and now Sinners, means the star is likely to understand his director better than anyone else on set. But to play the dual role of twin brothers, Smoke and Stack, in Sinners, a vampire thriller set in the 1930s, Jordan says he had to be āselfish in the best way possible.ā He continues, āI could just be singularly focused on the complexities and the nuances of Smoke and Stack ā which I had more than my hands full in doing so.ā
His dual performance in Sinners is a technical marvel but also a feat of acting, building the twins as distinct personalities and toggling between them each day on set. As he explains in our conversation, doing extensive prep work as both characters allowed him to operate on āpure muscle memoryā on the day, and even sometimes improvise ā though heād then have to go back and shoot the same scene all over again to be the other character. Jordan calls it a āunique approach,ā an understatement if I ever heard one.
Get much more from Jordan on todayās episode of the podcast, which starts with a conversation I had with Christopher Rosen about Sunday nightās Critics Choice Awards and the busy week of awards news ahead. Weāll be going live on Substack on Sunday night to watch the Golden Globes together ā become a Prestige Junkie After Party subscriber and join us there!





