đ§ Designing Rebellion: Pirates, Rebels & Untold Stories of 'Andor'
The Star Wars series' costume supervisor, production designer and composer reflect on how they ran with creator Tony Gilroy's directive

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Kate OâFarrell, Luke Hull and Brandon Roberts all grew up loving Star Wars. So for OâFarrell, joining Disney+âs Andor as costume supervisor was âexciting,â and for Roberts, stepping in as the composer for season two was âa dream come true.â Production designer Hull, however, was more skeptical â a prequel in a tightly guarded Disney franchise didnât exactly scream creative leeway. Four years later, though, âIt's been one of the most creative jobs I've ever had,â he says. And it all stems from what Hull remembers to be creator Tony Gilroyâs initial pitch: Join up âif you want to be a pirate and do something different with it.â
In a conversation moderated by four-time Emmy-nominated cinematographer and director Michael Goi, ASC, OâFarrell, Hull and Roberts detail how they collaborated with Gilroy to build the world of his acclaimed Star Wars spinoff series. The two-season drama, set before the events of the 2016 feature Rogue One: A Star Wars Story, follows Cassian Andor (Diego Luna) as he grows from smuggler to a stalwart of the rebellion, along with an ensemble of nuanced characters on both sides of the galactic struggle.

The second season of Andor goes to some pretty wild places â from a politically driven massacre to a hospital break-in. But Hull says what sticks with him are the ideas they didnât pursue as much as those they did. OâFarrell still dreams of costuming a âhuge background numberâ on Ghorman, a silk-rich planet and a site for fashion designers. Roberts regrets missing the chance to score a scrapped âAlien-Predator-esque sequence on a spaceship.â And Hull notes a scene, conceived but rejected, with Dedra (Denise Gough) and Syril (Kyle Soller) meeting for the first time in a ârevolving restaurant loosely based on the Death Star â it was a big glass orb with a view of Coruscant skyline, and every floor rotated within it.â
He adds: âIt was kind of super trippy, and that whole scene would have played out in that before we realized that it's just bonkers.â



