Laika Rolling Stone

There is no place more dangerous place to be in Hollywood than on a dilettante’s payroll. However well-intentioned the dilettante, however talented, however, driven they might be–at some point if it isn’t at least 30% about the money, this business just gets too hard. Making, marketing, financing, and selling movies is a business that will break and humiliate you in a zillion ways. Not to mention dealing every day with the heartwarming group of geniuses who staff this business. If you don’t on some level need to be doing it, the day will come when you get tired or broken, or sick of fighting. When whatever genuine creative inspiration you brought to Hollywood has been trampled on by the whims of fate and undeserving popcorn eaters and you finally turn the card over in your head: There has to be a better way. Too bad then if you’re one of

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THE ANKLER’S EXCLUSIVE WEEK OF DESTINY TIP SHEET

Entertainment history was made yesterday. Or maybe it was ended. The starting gun sounded on the dismantling of some major slice of the entertainment industry–and all the institutional knowledge, traditions, real estate, and jobs that go with that. The poohbahs, the conglomerates and the tech giants are off and running, vying to build up a big enough war chest to lock up a seat in the Great Entertainment Semi-Finals. Here’s your tip sheet to the drama that lays ahead as so many sit and wait for history to happen to them. RANDALL STEPHENSON: He’s the no-nonsense accountant from Texas, ready to ride down Main Street Showbiz and clean up this town. But even with Time Warner, has he got what it takes to fight it out with the big bad streamers? Warners Film and TV + HBO + Turner + DirecTV + a bunch of cables and cell towers = The

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JORDAN PEELE’S GARGOYLE DREAMS MEET DISNEY’S BIG IP REALITY

This month we’re going to see the media get very confused about what story to tell about Disney. It could focus solely on the upside: Incredibles 2 is about to make something northward of a gazillion and a half dollars, reminding everyone of the power of these brands when executed at the level Disney can still execute. On the one hand: you’ve got a shopping cart overflowing with fiascos and more curses unfolding than one company should have to bear. Losing John Lasseter in such a drawn-out manner certainly counts as a fiasco. What he does next may count as a wrecking ball. That said, to paraphrase a recovery catchphrase, they’ve got problems in areas where other studios don’t have areas. This month we’ve seen a couple of downsides of the Big IP game. The first one, from the Solo experience, is clear: When you concentrate all your chips in the Big IP game,

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LASSEDAMMERUNG! DISNEY’S LAW OF THE JUNGLE CRUISE

The moment of decision approaches on the Fate of John Lasseter. At stake is more than the management of one animation division. This is the precedent-setting crossroads: On the line here is whether Me Too remains on the march or starts to be swept under the red carpet. Not to mention, incidentally, the fates of two or three studios. After an initially blasé reaction, the battle has been raging over the past week with increasing volume inside and out, as a social media Stop John movement has gained traction.  Over the past few days, the #LoseLasseter hashtag has been catching fire on Twitter; contributors include people from across the animation industry and even, shockingly for a company that brooks no public dissent, some Disney employees sprinkled in among the protesters. (I’ll let you find them yourself rather than draw undo attention to them.) And now, because of one obscure pebble in

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