France Like No One is Watching

In another age, if Hollywood’s priciest annual boondoggle turned into a turgid public debacle, it might not have been such a big deal. Back in the 90’s, to send half the industry around the world for two weeks of grim headlines about the collapse of the international film world might not have been so bad – hey, what’s a few tens of millions if the troops had fun. But the incongruity becomes glaring in these days of austerities and cutbacks and housekeeping deals sent packing, for Hollywood to still spend millions  on an event that gets headlines, from the Trade. Press no less..like this:   “It wasn’t just the shadow of disgraced film mogul Harvey Weinstein casting a pall over the proceedings. Everywhere you looked, there were clear signs that the old thrill is gone.”  When THR says thrill is gone from a Hollywood mega-event, you can put your money that the thrill has cleaned

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Robert Iger: The People’s Choice?

Since the 2016 election, there can’t be a tycoon left in America who doesn’t wake up, look in the mirror and see the 46th President of the United States. In Hollywood, the name of one CEO has seemed to many such an obvious leader of the free world, that no less an august personage than Oprah, a President in waiting in her own right, reported that she begged him to run.  By her account she “really, really pushed him to run for president, so much so that I said to him, ‘Gee, if you ever decide to run for office, I will go door to door carrying leaflets. I will go sit and have tea with people.’” It’s easy to see why Hollywood believes the Iger coronation as close to inevitable as politics can get.  A man who could imagineer the acquisitions of Marvel, Pixar and Lucas and lead the company to

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WHAT HAPPENED IN VEGAS

It’s been almost a week since I said farewell to CinemaCon, having departed Wednesday afternoon, post-the Universal presentation. I’ve had some time now to digest all I saw, heard and of course, ate and before we turn the page, having heard the theatrical industry’s vigorous defense of the theatrical experience, I had  some final reflections: • In recent years, CinemaCon has been the scene of some dramatic squabbles about the window, formats and where this industry is headed – all the issues roiling the film world. This year: not a bit of that: No fighting, no disagreement, no reference to any of the questions or issues looming over the industry. Apart from the Fox presentation, where it would’ve been slightly odd not to make some reference, not even a nod of the head to the fact that one-sixth of our studios have disappeared since the last gathering and that another

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