Get Ready for the Least Watched Oscars in History!

Here it is!  Hollywood’s biggest week, and welcome everyone to the lead up to what could be the all-time, least watched Oscar ceremony in history! Somewhere there’s a scientific term for when the very act of studying something destroys it. Never have more people devoted more attention and more thought and more pixels to an evening than this year’s Academy Awards – pundits, activists, producers, stars, marketeers, swag suite promoters –  more camp followers than trailed after Napoleon’s Grande Armee,  and the net result will likely be – audiences scared away by the millions.The importance of this is not nothing. If ever the movie industry could use a boost of glamour and good will it is now.  To recap: not only is the survival of the movie studios on the line, but along with it the very open question of whether future generations will continue to leave their homes to

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LIFE OF RYAN

Now Netflix has got Shonda Rimes and Ryan Murphy.  Both defected from arms of what will soon be the combined greater Disney metropolitan area. Has Netflix taken Disney’s king and queen?  $300 million for the creator of the Versace mini-series and American Horror Story?  Okay..if you say so.  It will be an interesting experiment. If American Horror Story, Scream Queens had debuted on Netflix would we even know their names today? Would Glee have become a sensation? Would Shonda Rimes’ last couple shows for that matter., if they appeared among the great tides of streaming releases have been noticed by anyone? Just as it takes hundreds of millions of dollars of marketing over the course of decades to create a Will Smith, what is American Horror Story apart from the full weight of a legacy network’s marketing budget behind it? We’ll find out.  Or we won’t, because we won’t have access to that data, but block out time in your schedule in

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MARVEL’S BREAKTHROUGH

Since the dawn of the Marvel age, there hasn’t been a Marvel release that hasn’t been declared historic. But wanton hyperbole disclaimers notwithstanding, Black Panther is a movie that’s actually going to change some things–things important and things mundane. And it’s worth a pause from The Ankler’s vitriol festival to take note. First, there’s the ceiling-shattering about the type of film this is, the casting, etc.  All worth noting.  But to me, the more important thing is what comes after. This is not an eat-your-vegetables, box-checking, begrudged project, reluctantly produced by Disney/Marvel and then dumped on the market so they can petulantly say, “See we tried that! Will you leave us alone now?!” What makes Black Panther remarkable is not just the African-American helmer and headliners, but that they are going for gold with every piece of this. This movie could change lots of things not because it broke a ceiling for the sake of breaking a ceiling, but because

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HOLLYWOOD’S WORST GENERATION

Individually, the tragedy of the studio world is a pie gets split in a lot of ways, but collectively, there’s clearly one generation, and one clique of that can claim sole and complete credit for everything that has happened to this place in the past quarter century. Surveying the blind alley the film business has walked itself down, sometimes it pays to take a glance at who is driving this train. Especially if the folks in the locomotive are the same ones who have been driving it off the cliff in slow motion for 25 years now. One might think in this moment of semi-meltdown, when the question is on the table whether this will be the last generation of humanity who pays money to see movies in theaters, the industry would be turning for leadership to people in touch with the film-goers of tomorrow, perhaps even people who were filmgoers

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